What I love most about the collection is the clean and pure design of the clothes that crystals and beadwork are practically absent, but focused on cut and sharp tailoring. The hour-glass figure on the coat dress, the combination of hard and soft materials such as the croc-leather and the feathery "thing", the layers and layers of ruffles on skirts that we wish pictures could let us see it move: proofs masters are always masters.
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